Tag Archives: poetry

Late September on Old Orchard Beach

cropped-sunrise-at-old-orchard-beachCold. Penetrating deep cold, but exhilarating. On shore wind as the air rises over the still warmer land, and the ocean air rushes in to fill the vacuum. Cleansing. Lung filling. Soul filling. A sharp breeze comes over the water picking up moisture and is scrubbed as it comes. The air streams around and over Bluff and Stratton Islands in the harbor, loading up from beyond the horizon where the earth curves out of sight, past the Azores, past the edge of the world. Cold, clean, pure, merciless, but without bias or favor.

The sun begins the day’s work out of sight in the east over the rocks and low scrub and a few trees on the wooded point at the end of the beach curve just north of the open sea. Pink-orange and red gray, the clouds reflect the refracted light before the sun makes its morning arrival. Then it does, and we must stop staring at the blinding intensity.

Gulls – American and European herring gulls, ring-billed gulls and a few larger black back gulls join them. Gulls swoop and glide a foot above the beach looking for a landing spot even before full sunrise. Heartbreakingly graceful. One standout wheels back at a nearly impossible angle, pivoting almost on its wingtip, barely clearing the sand, rights itself in a perfect pirouette, glides effortlessly another twenty feet, finds its spot selected with no observable distinction from any other spot, and with a slight change of pitch of wings drops gently on the beach, settles with a brief flourish and straightening of feathers put away like a cloak, more compact than their full spread would suggest, a brief quivering like an elegant woman settling into her chair in a premium restaurant at a choice table. She doesn’t immediately pick up a crab or a clam. Just turns into the wind, stands and waits patiently a couple of feet from the tidal flow. Waits for something not apparent to anyone else. Stretches its neck, looks skyward, parts its bill, and cries out in the unmistakable gull call.

Four surfers and a paddleboarder work on their competences in predawn twilight three hundred yards north down the beach. The surfers take their turns following the wave break that they each ride not quite parallel to the shore. All are skilled. No one puts on a wetsuit when it’s forty five degrees and spends their precious time before work begins for the day by plunging into the surf with their long board tethered to their ankle if they are not serious. They call everyone dude and employ an esoteric vocabulary like a casually organized fraternity, united by a love for their frigid, perfect, wet, plunging and surging sanctuary. When you speak with them occasionally, they are unfailingly polite and friendly. Will talk with strangers about the quality of the waves like they have known each other all their lives. Maybe they have.

Another half dozen or so of us on the nearly empty two mile beach got up to catch the beginning of the day; two are in bathrobes and wrapped in blankets. Some stand or lean on a fence. Several in heavy sweaters, stocking hats, and high ankle hikers are dutifully walking their dogs. Another is meandering slowly, barefoot, but sweater clad, on the edge of the water where the waves finally peter out looking for shells or sand worn beach glass. A guy with a hoodie is running with his very large dog. Maybe a Newfie – hard to tell at distance and murky light. He’s quickly covering the ground south towards the long wooden pier with multiple single-story, now closed, gray shingled souvenir shops. The pier protrudes five hundred feet out into the open ocean. The runner is probably headed home to grab some more coffee and drive to the office. The rest of us are alone. An older woman, slightly portly with glasses and a kind face sits in a high backed beach chair with an expensive looking camera trying to catch the light. She’s barefoot too.  Maybe she’ll paint her photo later. Watercolors.

The laughing, drinking, partying summer throngs have abandoned the jostling crowded sidewalks and have gone home to New Jersey or Quebec or Hartford. Many come every summer for a week or two like a ritual. Expensive vacations, but not out of reach. Not the Hamptons, but not an inflatable pool in the backyard either. Most of the restaurants, pizza places, and French fry stands are already boarded up for the coming winter. But not all of them. The Beach Bagel breakfast counter stays open year round for the regulars and a few hearty bargain seeking tourists. Bacon, egg and cheddar on onion bagels and more; the conversations of townsfolks about the baseball playoffs, the depravations of the now ruined Patriots, the latest expensive embarrassments of town council mistakes, the planned wedding of a daughter in the spring, arthritis, the foolish boss where they work. The waitresses tease and are teased back in familiar ribald jesting.  Familiar faces, too. Relaxed and at ease with each other and the routine, although they may not know all the names; customers are comfortable with silence too, staring into their coffee.

The beach begins a slow recovery and gives itself back to the full time residents who love all its seasons and don’t mind its moods. A recent storm eroded some of the border beach grasses, pushed up flotsam far up on the sand towards the wind fence, a couple of large broken branches that look like white pine wash in and out on the waves, a bent unbuoyed lobster trap rests fifteen feet beyond the farthest breaking waves.

The waves have been breaking endlessly on this beach for a million years or at least for ten thousand since the last Ice Age covered everything here under two hundred feet of glacier. The waves come in gray green, surrender to gravity, pick up the wind, foam white at the crest, cascade, slowly subside and recede. A nanosecond after they fall, I see them; a second later I hear them with a tiny delay. Sound follows light. For a million years the rhythmic breaking proceeds. Not silent, but not jarring. Restful. Sleep on the beach if it was warmer. The voice of the world.

The gulls gather in small groups facing the north Atlantic. No unguarded sandwiches or chip bags on blankets to pillage. Gone for the winter. Picked clean. The gulls too are comfortable in silence. Waiting.

So God created the great creatures of the sea and every living thing with which the water teems and that moves about in it, according to their kinds, and every winged bird according to its kind. And God saw that it was good. Genesis 1:21

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Pastoral Pools and Quiet Eddies

“In any man who dies there dies with him, his first snow and kiss and fight. Not people die, but worlds die in them.” Yevgeny Yevtushenko

I noted last month with passing sadness the passing of Yevgeny Yevtushenko. He died in Tulsa, having taught there and in New York City for many years. His was the first volume of poetry I can recall buying, before Yeats or Eliot or Robert Frost, I read Yevtushenko. The 1962 paperback sits somewhere among many other books in a box in our basement. Yevtushenko was never a full blown Russian dissident like Solzhenitsyn, but he contributed to the awakening of Soviet Union freedom in the sixties. Babi Yar was his breakout poem[i], and it described the Nazi murders of 34,000 Jews in a ravine outside of Kiev that foretold of millions more. Written as a protest of the Soviet Union’s pogroms and history of antisemitism, and its refusal to erect a monument to those who died at Babi Yar, Yevtushenko cried out an appeal to the Russian conscience:

 

 

-“They come!”

-“No, fear not – those are sounds
Of spring itself. She’s coming soon.
Quickly, your lips!”

-“They break the door!”

-“No, river ice is breaking…”

Wild grasses rustle over Babi Yar,
The trees look sternly, as if passing judgement.
Here, silently, all screams, and, hat in hand,
I feel my hair changing shade to gray.

And I myself, like one long soundless scream
Above the thousands of thousands interred,
I’m every old man executed here,
As I am every child murdered here.

  Yevtushenko is forever linked to Dmitri Shostakovich, censored by Joseph Stalin, whose Thirteenth Symphony is entitled Babi Yar after Yevtushenko’s poem, which is recited with other Yevtushenko poems during the performance. The most well-known recorded performance of which in America was with Georg Solti and the Chicago Symphony with Sir Anthony Hopkins reading the narrative. All of this started me thinking about some recent reading and the decline of poetry, which is little read today even in universities and is increasingly the province of an esoteric small community and obscure journals. And rhyme is infrequently employed, nor has it been in many years.

“Simple human beings like rhyme better than prose, though both may say the same thing, as they like a curved line better than a straight one, or blue better than grey; but, apart from the sensual appetite, they chose rhyme in creating their literature for the practical reason that they remembered it better than prose. Men had to carry their libraries in their heads.” Mont-Saint-Michel and Chartres, Henry Adams

The marginalizing of poetry has a price. Permit me an inept analogy and story. Dick Leary was the Information Technology Manager for my first lumber company before we called such a person an IT Manager; Dick was the computer guy. We had seventeen locations and seven hundred employees and ran what was a precursor to the cloud – dumb terminals at a hundred work stations all logged into a one lung old remote Sperry mainframe, Unix based with green screens and menus. Dick was a true eccentric and an aficionado of craft beers a few decades before that became fashionable. He lived near Meredith in the lakes country of New Hampshire. The Sperry lived upstairs in the offices at our Meredith store.

Over a beer or two, Dick would bemoan the coming of Windows, GUIs and related technological advancements. He was a lover of concise code back before the rapid growth of storage enabled programmers to ply their craft almost without regard to memory limitation.  He thought that this profligacy lacked imagination and the genius of the early code writers, when every byte was carefully planned – a wasteful proliferation of dead code layered upon dead code like vestigial organs. Dick was admittedly obsessed with what he perceived as a degradation of brevity and elegance, a distinction that escaped the rest of us.

“Again, and again we are told by all sorts of priggish and progressive persons, that mankind cannot go back. The answer is that if mankind cannot go back, it cannot go anywhere. Every important change in history has been founded on something historic: and if the world had not again and again tried to renew its youth, it would have been dead long ago.”  G.K. Chesterton from his book on Robert Lewis Stevenson

The analogy to computer programming breaks down as all analogies do at some point, however, at the risk of seeming a cranky eccentric, the underlying point of Dick’s complaint is more than mere nostalgia and resistance to change. And neglecting history and the wisdom of centuries has more import and impact than forgetting FORTRAN and COBOL.

Our poems and songs were necessary to human memory of who we are for ten thousand years or more. They enabled us to learn and grow. Technology for information storage started slowly with the Guttenberg press, advancing to linotype and typewriters, which was the state of the art when I was in high school reading Yevtushenko sitting on the floor of a bookstore, not so long ago in history really. Currently with the development of nanotechnology and the “internet of things,” the sum of accumulated human knowledge, much of it layered on like Dick’s superfluous programmer’s code, doubles every twelve months, and is projected to double every twelve hours.[ii] Take a deep breath and think about that: the sum of all human knowledge that took us twenty thousand years to accumulate will double every twelve hours. How much of that data is useful or edifying or gifts us with wisdom, counsel, truth and beauty is a matter of concern and doubt, but the volume is imposing.

Trying to “drink from a firehose” has become a favored cliché of news commentators. In the last twelve hours, it has become woefully inadequate. Perhaps the appropriate metaphor is more like trying to drink from the uncontrollable rapids of a flooding river.[iii] Caution must be taken by every person to drink from pastoral pools and quiet eddies: to seek quiet, to think and read what is truly worth our increasingly finite time. Elegance and brevity and the carefully chosen word needs to be honored and preserved in mind and soul or we endanger some of what makes us human, washed away in the deluge.

“A song is a thing of joy; more profoundly it is a thing of love.” St Augustine

[i] http://remember.org/witness/babiyar

 

[ii] http://www.industrytap.com/knowledge-doubling-every-12-months-soon-to-be-every-12-hours/3950

 

[iii] The irony of writing this on my laptop in one of perhaps  millions of blogs is not lost on me.

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